“Mr. Evans is a viable candidate for jazz’s most resourceful and invigorating contemporary pianist.” — The New York Times
Grammy-nominated and topping the Rising Star Pianist category in the DownBeat Critics Poll, Orrin Evans is quite simply one of music’s most independent, resourceful, and exciting pianists. He grew up steeped in the music culture of Philadelphia, and his playing is characterized by an authoritative command of the instrument, blending full-throttle swing and deep-rooted blues with adventurous excursions into the avant-garde.
Evans has made a career out of pushing boundaries, creating an environment of “structured freedom,” encouraging musicians to take risks and truly engage in the moment. This dynamic, “anything could happen” vibe has been a consistent element across his more than 25 albums as a leader.
His experience is vast and includes a productive three-year stint with the highly acclaimed trio The Bad Plus, as well as working with numerous jazz luminaries like Bobby Watson, Ralph Peterson, and especially the Mingus Big Band. But it’s his work with his own ensembles, including his raucous Captain Black Big Band and the collective trio Tarbaby, that showcase his knack for instigative leadership. Evans’ sound — sometimes flowing with rubato poetry, sometimes percussive — is instantly recognizable.
Bassist Robert Hurst is a Grammy-winning veteran known for his dynamic, rock-solid foundational playing, having anchored bands for legends like Wynton Marsalis and Tony Williams.
Drummer Marvin “Smitty” Smith is an intense, polyrhythmic force of nature, celebrated for his innovative work with dozens of top artists such as Sting, Dave Holland and Sonny Rollins in addition to leading his own electrifying ensembles.
Don’t miss this chance to see a fiercely original artist whose work is both deeply rooted in tradition and constantly exploring new territory, supported by two of the leading rhythm section players performing at the highest level of artistry.
These performances are made possible through the generous support from our hospitality sponsor, Sage Hospitality.
Orrin Evans Trio
With Bob Hurst and Marvin "Smitty" Smith
Thu, April 9
|
7:00 PM
&
9:30 PM
Presented by Denver Jazz Fest and Dazzle
PERSONNEL
Orrin Evans: piano
Robert Hurst: bass
Marvin “Smitty” Smith: drums
On sale November 7th
Ticket prices: $25 | $35 | $45
PERSONNEL
Orrin Evans: piano
Robert Hurst: bass
Marvin “Smitty” Smith: drums
ON SALE DATE: November 7th
Ticket prices: $25 | $35 | $45
Gimme 5
Five questions with Orrin Evans
Don Lucoff: Orrin, the trio format is one of several that you present over the course of your career. How will these players impact on your current vision for the trio?
Orrin Evans: It’s the same as it’s always been in any ensemble I’ve put together: I present the music to the musicians and allow them to bring their voices to the sound. Allowing each musician to interpret the music in their own way is the key to freedom and a beautiful journey into the unknown. As they say, knowing is half the battle, and that knowing the music is only the beginning. Knowing the musician is what I like to discover, and if you allow yourself the opportunity to be surprised, the music will take you anywhere. Robert and Marvin are perfect copilots on the bandstand.
DL: This 100th centenerary of Coltrane, Miles, and Randy Weston holds significance. Comment on that in terms of their overall impact on your perspective and as a torchbearer of this music.
OE: We all have a story, and the fact that Coltrane, Miles, and Baba Weston will always be important characters in the story of this music called jazz is inspiring and breathtaking. As my story continues, I play every night, praying I will leave a worthwhile chapter in the story of jazz. Making a statement and leaving a legacy are the biggest impacts any artist can make on future generations.
DL: McCoy Tyner looms large in your development, speak about his impact as a player and composer.
OE: Mr. Tyner was the first pianist I heard who showed me that the piano is a percussion instrument. His desire to combine the piano’s percussive and harmonic complexities opened a world of discovery for me. In addition, Mr. Tyner was one of the kindest and most encouraging elders I ever met.
DL: What are some of the projects you have in the works as a collaborator and leader that you are most excited about that you can share at this time?
OE: Imani Records is doing some awesome projects at the moment. From Dwayne Dolphin to Caleb Curtis, I’m excited about all the artists with upcoming projects. In addition, working with my co-led trio, Trash Gadget, the Captain Black Big Band, and the soon-to-be-released Brazilian project brings me joy. Honestly, sharing the bandstand with good people is living the life for me.
DL: Can you share any reminisces on past experiences here in Colorado? It’s been some time since you have been through our state and Denver in particular.
OE: Dazzle has always been the place for me in Denver, and it’s a venue that makes the artist feel at home. Playing Dazzle again, but under the flag of the Denver Jazz Fest for the first time, is going to be a party.